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To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
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混乱的生活有人妥协 有人挣扎 有人顺其自然 without you的音乐响起就开始忍不住想哭了
我有缺陷,不是我的错,但我不幸福,我要战胜这种不佳的感觉,甚至我要从这里重生。
说实话不好看。能够给你看到几把和奶子和B。
应该是导演觉得自己🐔很大,又不想直接拍dick pic。于是就鼓捣出这么一部电影吧。
那把锯竟然最后只切了个菠萝?
鳄鱼和bj互相切换是有什么内涵?不得不说频繁出现的28真够大的。导演的鸡儿和手比起来够黑的。
神经病
俄罗斯的吗。
79.27
4.5
太大了
觉得是私人影像,太艺术流了。
很裝B的個人主義電影😈😈
4.0 以身体,性器官彼此吸引的爱情应该多得展示某种身体间的吸引力,而不是穿插一些其他素材显得很艺术
导演只想告诉大家,我的很大,你忍一下。
不知道是什么乱七八糟的玩意
不喜欢这种剪辑,搞的太艺术电影了。还是故事片一点好看。
粗制的纪录片电影