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首先我想说,伯尔尼太美了。 影片画风就两个,一个是战后复苏的德国乡下工业城,主色调为黑色;一个是斑斓的伯尔尼,瑞士首都,山河美的像画。剧情风格也是两种,德国的压抑和瑞典的激情。 看评论们都在说以家见国,战后德国的振作分散体现在每个团聚家庭矛盾的化解。父亲12年里面对的杀戮与人性缺失对父亲造成了很大的影响,拒绝与他人进行情感交流,也无法再认真感知他人,从而强迫亲人们按照自己的想法做事,进行情感暴力。 父亲把兔子给杀了。对儿子来说这个兔子是他倾诉的对象,心灵的寄托,兔子会百分之白接纳儿子,儿子可以跟兔子诉说所有的烦恼。兔子被杀对儿子来说无疑是一个非常大的打击。 我一向赞同倾听孩子的声音,而且对孩子得不到尊重这件事及其耿耿于怀。 有时候我想人是会变的,又是不会变的。 爸爸的自责内疚使他变得更好,他终究还是找回了如何去爱。 爱是接纳包容,而又持久忍耐。 题外话:这次下的影片质量不太好,声道和画面没匹配,所以观感有点受限。德语不是很好懂,一开始的情节有点压抑,所以看着的时候就经常走神想对象。。。不过到后面比赛的激情完全把我带起来了。
从1945到1954,日尔曼人坚韧和认真的民族性使战后满目疮痍的德国在9年中逐渐复苏,这时,德国队在瑞士世界杯上演的“伯尔尼奇迹”更使整个德意志恢复了民族自信心,让人们从战败的心理阴影中走了出来。片中,在苏联做了11年战俘的理查德·鲁宾斯基被遣返回国,当他走下火车重新踏上德国的土地时,脸上充满了阴翳;而在片末,鲁宾斯基与儿子马蒂亚斯在德国队所乘的凯旋列车上热泪盈眶、喜极而泣。从心灰意冷到激动万分,鲁宾斯基的心理转变正是德国民众战后心态变化的一个缩影。 德国队的夺冠预示着德国战后的复兴。伯尔尼奇迹是整个德国齐心协力的结果,主帅赫尔博格率领的瓦尔特、拉恩等二十多名球员背后是鲁宾斯基父子、记者保罗·阿克尔曼夫妻等千千万万个德国人。片中,阿迪达斯的创始人阿迪·达斯勒给赫尔博格送来了他刚发明的、专为雨天作战而设计的特制钉鞋,从这个细节,我们就已经看出了整个德国的民众已经拧在了一起。如今,当耐克公司试图用超出阿迪达斯两倍的赞助费来打动德国足协时,德国人却丝毫不为之所动,耐克只好铩羽而归。因为德国人从来没有想过,凭借民族品牌上演过“伯尔尼奇迹”的德国队穿上别国的战袍战靴会是怎样一番景象。 “足球是圆的,”这句已经被引用了烂掉的话最早就出自1954年的赫尔博格之口,“如果决赛当天是晴天,那么匈牙利队肯定会战胜我们;但如果当天下雨,胜利的就是我们。” 当队员们即将登上大巴前往球场时,刚刚还是晴朗的天空突然开始下雨,这一刻,奇迹已经开始上演; 当《德意志高于一切》的旋律在伯尔尼上空响起时,从慕尼黑到伯尔尼,所有的德国人起立注目;当德国队攻入进球时,连东德的小伙子们也放声呐喊,这一刻,奇迹的结果已经确定; 当载着归来英雄的列车在夕阳中驶向地平线时,奇迹谢幕了。 但战后德国的经济奇迹却刚刚开始。
The Miracle of Bern (German title: Das Wunder von Bern) is a German film made in 2003, directed by Sönke Wortmann. The film is based on a true historical event. It tells the story of the West German soccer team that miraculously won the title in the 1954 FIFA World Cup held in Switzerland. The film was released in the year after Germany was defeated by Brazil in the 2002 World Cup final co-hosted by South Korea and Japan. When the film was greeted with immense popularity. The film unfolds the story through the perspective of a young boy, Matthias Lubanski, from Essen, West Germany. Matthias’s father served in the Nazi military and was imprisoned in a POW camp in Russia for about 10 years. In his absence, Matthias’s mother runs a local pub and supports three children. Also, Matthias befriends a member of the West German soccer team, Helmut Rahn, who ends up scoring 2 goals in Germany’s victorious final match against Hungary and becoming the hero of the nation. The film contains two main storylines, Matthias’s family and the German National soccer team. The film uses various techniques to connect the experience of the Lubanskis and the entire nation together. Not only does The Miracle of Bern tell the story of the West German soccer team winning the World Cup. It also tells the story of West Germany walking out of the shadow of WWII. Matthias Uecker noted that the Miracle of Bern constructs a nostalgic sentiment toward the period of the economic boom in West Germany after WWII and also the glory of winning the World Cup. In the subtitle of the film Jedes Kind Braucht einen Vater. Jeder Mensch braucht einen Traum. Jedes Land braucht eine Legende. (English: Every child needs a father. Every person needs a dream. Every country needs a legend.), the individuals and West Germany as a nation are already linked. (Uecker) First of all, the family, the Lubanskis, at the centre of the story is representative of West Germany at that period of time. The Lubanskis are set in Essen, a city located in the Ruhr Metropolitan Region, the most import industrial district in West Germany and the pillar of the West German economy. During WWII, a lot of industrial infrastructures were destroyed in the bomber raids in Germany. The economy was also devastated. After the war, the United States government carried the Marshall Plan, intended to help western European countries recover from the war economically. Over 17 billion USDs were provided to rebuild the European economy and modernize the industry. In the first half of the 19th century, large-scale mining and steel production began in Ruhr and Ruhr took off as one of the largest and most famous industrial regions in the world. Alongside the prosperity of Ruhr, many of Europe’s oldest industrial cities started to take shapes, such as Dortmund, Essen, Duisberg and Bochum. Also, during WWII, the heavy industry in Ruhr played a significant role in the German economy. It provided a material and economic basis for the Nazi war machine. After the war, Ruhr played an important role in the economic recovery too. Ruhr can be seen as an icon of German industry and the frontier of economic reconstruction at that period of time. Moreover, the protagonist, Matthias is an average German boy from an average German family. The Lubanskis are representative of the German working-class families at that historical period. Matthias, like many German boys, is enthusiastic about soccer. He is not the most popular kid in school, and he is not very good at soccer either. His father, like many men of that age, served in Nazi military forces. Many of them were killed in action, and the survivors were imprisoned in POW camps all over Europe and Russia. Matthias’s father, Peter Lubanski, survives the war. He is imprisoned in POW camps in Russia. The father encounters a hard time when he just comes back to his family from the Russian POW camp. He sees a different world than the last time he was home. The country he served for no longer existed and he sees a son that he does not recognize. Upon his return, the father still carries the former Nazi ideology. He believes that everyone in the household should follow his rules, fear and obey him. He is also frustrated seeing the family is functioning just fine without him and the women in the household are working. However, the father is traumatized by the war, therefore he is not able to work and provide for the family because the sound of a jackhammer reminds him of a machine gun. What even worse is that he is not able to get compensation from the government. When the father is locked away in Russia, his mother runs a local pub and supports Matthias, his sister and his brother. Like many women who lived in that period of time, she has to be the breadwinner in the household. Almost all men at their prime in that period of time served in the military. A great number of them were killed on the battlefield and many of the ones who returned were unable to work and provide for their family due to severe injury or psychological trauma, like Peter Lubanski. The women in Germany at that time had to step in and provide for their families. In addition, Matthias’s brother and sister are also representatives of the situation in Germany at that period of time. After the war, Germany was split into East and West. East Germany was found in the Soviet occupation zone, and West Germany was established on the former US, British and French occupation zone. The two German states subscribe to different ideologies. Like Germany was divided in two, the two older siblings of Matthias are under foreign influences too. The sister, Ingrid, goes to a party and dances with G.Is. The older brother, Bruno, plays on a band that plays American music. Also, he is angered by his father’s cold, fascist behaviour when the father just returns from the POW camp as well as his Nazi history. He runs away to East Berlin because he believes in everyone is treated equally in the communist state. The split of the Lubanskis in a way signifies the separation of the two German states. Furthermore, not only is the working class of West Germany represented, the middle and upper class also shows up in the film. Annette and Paul Ackermann represent the middle and upper class in Germany after the war. Paul works for a newspaper and writes the sports page. Annette is a spoiled daughter from a wealthy family with high social status. She inherited property from her family and was planning a honeymoon trip to North Africa. The Ackermanns are newly married before the 1954 World Cup. Paul is assigned to cover the World Cup in Switzerland and Annette decides to come with even and take the trip to Switzerland for their honeymoon even though she is no fan of soccer and has no previous knowledge. Moreover, although the odds are not in the West German team’s favour, even the German head coach believes so, Annette demonstrates great confidence in the team and pride as a German, as the soccer team represents her country. Also, the players on the national team are from different places in Germany. The commentator is specific on where each player comes from so everyone in Germany, not only where Matthias lives, is included and represented by the national team. To sum up, soccer is used as an equalizer between rich and poor, men and women, soccer fans or non-soccer fans, estranged fathers and sons. Soccer does not only break the barrier between social classes but also brings people from different parts of Germany altogether. Even when Matthias’s father, who is a very difficult man when he just returns from the POW camp, can get along harmoniously with the son he has never met before through the trip to the World Cup final. The film elaborately uses the story of the Lubanskis and the Ackermanns before and during the World Cup to connect the experience of individuals to the entire nation. Every German celebrates the achievement of the soccer team in the World Cup altogether, as if WWII, which ended only 9 years ago, and its aftermath are already behind them. Unlike the Nasty Girl (German title: Das schreckliche Mädchen), The Miracle of Bern does not raise any heavy questions such as what the people around us were doing during the Nazi period. On the other hand, the Miracle of Bern constructs nostalgic sentiments and creates the illusion of happiness and harmony in postwar West Germany. Throughout the course of the film, music is used to guide the emotion of the audience, during the heated match between the West German team and the Hungarian team or the thrilling moment when Matthias finds his pet rabbits are made into his mother’s birthday dinner. The film resembles a typical Hollywood commercial film and it successfully gained high popularity in Germany, yet the audience is manipulated and absorbed into the story through film techniques. It is made for people’s entertainment instead of meant to trigger critical thinking of the history from the audience.
Ops,看了这部电影,作为意大利死忠,会突然有那么点喜欢上德国队了。致敬1954年世界杯。三条主线,各有强弱,国家走出创痛、家庭弥合裂痕、民族重拾信心,一颗小小的足球,承载着太重的力量。日耳曼民族的精神,或许本身就是一种奇迹。
这支德国队有点像05年伊斯坦布尔的利物浦
足球文化,二战创伤,德意志精神!一摞德甲球队,亲切的紧,德国,你是逆转王,你一直是!
一个男孩对父亲从拒绝排斥到理解接受,这种转变的过程其实也就是民众对一个曾经犯过错误的国家重新认知的过程。虽然是一部体育电影,运动场内的东西却只占了很小的比重,导演想让小小的足球承载非比寻常的重量——家庭,战争,政治,两德。一座世界杯让一个饱经战乱的国家重新崛起,这就是体育的力量。
国家电影的典范,记得DVD花絮里有介绍最后决赛是拿当时的影像对照着拍的简直高度还原,虽特效技术稍差又极度煽情,但可谓足球电影里的NO1.同时又融合了德意志的战后创伤重建信心及对东德的复杂感情,还有那个提供球鞋的就是阿迪达斯的创始人。突然想到后天德阿的决赛我们也是在亲历又一段历史。
资料馆2014.7.11.7pm 小男孩的状态塑造的比较好。竞技和夺冠的宏大事件下证成的是家庭的重建-国家的重建,既有那一家人(核心是父亲与幼子),还有体育记者的妻子怀孕(一个孕育未生的、崭新的生命)。战败后、背上纳粹法西斯十字架的德国人,开始重建家国民族(意识形态)。
一个摇摇欲坠的家庭,展现战败德国撕裂的伤痕,战俘老爹与他眼中的”共产主义者“、”军妓“与“游手好闲”的家人们,惟有足球可以弥合这一切。体育片的定式,最后的奇迹没有悬念,只需要表现得血脉喷张足以~BTW.关于足球的电影没有一部能超过足球本身的,纪录体裁或许更好
看到最后「冠军是德国」的时候哭崩了吗的!!!勒娘把我爱的德国队还回来!!!我爱的从来都是德意志糙爷们儿精神好么!!!QAQ
马蒂亚斯一看就知道是个德国小子,德国人都长一个样,譬如诺天王。足球是圆的,比赛时间有90分钟,谁知道会发生什么。奇迹,老天都帮着呢。
我很奇怪这种导演到底看不看足球呢……片子是个好片子,最后表现的那场决赛感觉太假了……
当时的匈牙利可是比现在的西班牙还要牛B很多阿
从小人物角度切入折射大事件大背景的想法是不赖的,但拍得实在过于温吞水了。DVD的画质是真好,花絮里有详细提到后期工作人员为了呈现出当时的色彩氛围所作出的努力,效果也的确相当棒。只是最后决赛的重现有些潦草,球场比例明显不对嘛。迄今为止,还没见过一部能把足球比赛基本真实还原出来的电影
1954 1974 1990 足球早已融入德意志人的血液
最后的决赛不够燃~不过毕竟是电影,能把社会问题和足球运动结合的这么好已经很难得了。另外足球绝对是世界最美丽最热血最有凝聚力的一项运动,没有之一。
德吹毁掉的是50年代前半段世界上最好的球队,而且使用甲基苯丙胺毁掉的
比足球更能感动我这个球迷的是父子之间的亲情,这样的感情体验是我一生都无比珍视的东西。
作为一部足球电影,这部难得的不是俗套励志剧,而是一个关于足球帮助民族走出创痛、弥合裂痕、重拾自信的动人故事,温暖:)
最初看这部片子,是在2006年世界杯时,换句话说,我是在响应世界杯的气氛来“凑个热闹”。可是影片的内容却让我惊讶,故事的主题不在于渲染德国队如何战胜强大的匈牙利(当时匈牙利是足球老大),而在于讲述一个坚强与反思的故事,中间还穿插着原德军士兵对俄国人造成伤害的愧疚感,于是,我被感动了…
本片是为纪念TheBoss的去世而拍摄,但导演的意图却不止于此,而是打算通过三条主线的整合诠释德意志足球狂热的根源:足球是化解鲁班斯基家矛盾(甚至战争创伤)的良药,足球是记者夫妻感情的催化剂(此线较弱).54获胜是德国历史本身的化身(孩子来到伯尔尼恰是奇迹),现在足球可没这么干净
“亲爱的,你听好了,我们会赢,而且会把他们打得落花流水”。很多时候,我们需要的是必胜的信念和永不服输的精神。不管之前输得多么惨,一上球场,他们就只想着胜利。