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O somma luce

HD中字

主演:Giorgio Passerone

类型:电影地区:法国语言:其它年份:2010

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 剧情介绍

O somma luce电影免费高清在线观看全集。
  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich陌陌影视陌陌影视樱花影院6080影院从路人角色开始的探索英雄谭古畑任三郎 暂时的分离爸爸是外星人灿烂的季节2022樱花盛开2014女友成堆第二季来来僵尸米老鼠的捕鼠夹编剧头很痛山河恋粤语龙卷风(国语版)上的士速递(国语版)不会拿捏距离的阿波连同学第二季纵横天下1954午夜阳光追捕连环杀手第一季阿根廷,1985风暴岛的玛雅梦宅诡影龙女下凡远方的声音魔术发明家~异世界魔法的制作方法~幽冥部队复仇1990金刚王:死亡救赎第88届奥斯卡颁奖典礼阿班与裘迪

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6。瓦雷兹的全集似乎听过,诗歌欣赏不能

6分钟前
  • Mannialanck
  • 还行

不懂。。

7分钟前
  • 熊猫神菁
  • 还行

待研究

11分钟前
  • hitlike
  • 还行

这所谓的无意义恰恰成为了一种意义

13分钟前
  • Evilly ☣
  • 推荐

坐立难安,心潮澎湃

16分钟前
  • Voiello
  • 还行

可惜没赶上Ranciere场

19分钟前
  • motongg
  • 还行

主角5个小时前坐我旁边抽完雪茄还冲我坏笑笑个毛

23分钟前
  • sink3000ing
  • 推荐

m

24分钟前
  • 瞌睡重
  • 还行

不评价

26分钟前
  • 看不见的城市
  • 还行

Meilleure solution contre l’insomnie. Pas totalement inintéressant mais ce genre de film-essai indigeste n'est pas fait pour la salle.

31分钟前
  • KUMA
  • 较差