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O somma luce

HD中字

主演:Giorgio Passerone

类型:电影地区:法国语言:其它年份:2010

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O somma luce电影免费高清在线观看全集。
  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich热播电视剧最新电影莫惹是非醉拳3S区的奇妙的人们歌塑世界爱伦坡怪谈梅艳芳高斯电子公司总是搞砸的单身女人迪亚!大周小冰人第二季一代剑王泰妍日本巡回演唱会2019~Signal~倩女幽魂2:人间道粤语上帝的间谍抗日儿童团少年说唱企划精灵宝可梦:破坏之茧与蒂安希生死密电新木偶奇遇记星途叵测2国语心里的声音第二季史前巨鳄3红色圣诞投爱破浪而出京城美食地图极地暗杀 第三季妓院里的回忆深夜咖啡屋:失踪的甜心在劫难逃

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6。瓦雷兹的全集似乎听过,诗歌欣赏不能

7分钟前
  • Mannialanck
  • 还行

不懂。。

10分钟前
  • 熊猫神菁
  • 还行

待研究

15分钟前
  • hitlike
  • 还行

这所谓的无意义恰恰成为了一种意义

16分钟前
  • Evilly ☣
  • 推荐

坐立难安,心潮澎湃

21分钟前
  • Voiello
  • 还行

可惜没赶上Ranciere场

23分钟前
  • motongg
  • 还行

主角5个小时前坐我旁边抽完雪茄还冲我坏笑笑个毛

27分钟前
  • sink3000ing
  • 推荐

m

31分钟前
  • 瞌睡重
  • 还行

不评价

36分钟前
  • 看不见的城市
  • 还行

Meilleure solution contre l’insomnie. Pas totalement inintéressant mais ce genre de film-essai indigeste n'est pas fait pour la salle.

38分钟前
  • KUMA
  • 较差