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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院芳邻疑案小查与寇弟的顶级生活第三季恩爱两不疑最后的乘客冷血十三鹰 冷血十三鷹军刺木雕家斯泰纳的狂喜广东十虎与后五虎互联网之子海妖的陷阱杀绝国语十万火急（粤语版）芝加哥警署 第七季不安感 第一季拿破仑传1千门江湖之诡面疑云不可思议青年医生毒玫瑰1966魔鬼特训营握三下，我爱你
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院芳邻疑案小查与寇弟的顶级生活第三季恩爱两不疑最后的乘客冷血十三鹰 冷血十三鷹军刺木雕家斯泰纳的狂喜广东十虎与后五虎互联网之子海妖的陷阱杀绝国语十万火急（粤语版）芝加哥警署 第七季不安感 第一季拿破仑传1千门江湖之诡面疑云不可思议青年医生毒玫瑰1966魔鬼特训营握三下，我爱你