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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院14岁的母亲大脚女婿冷血十三鹰杰森·莫玛漫游记各取所需 第三季风火世代针惜情缘及时止损闪电奇侠刚达拉巧克力学院地球百子 第二季触碰的双手没有男人的八月末蛇女2025暗夜守护者终极尖兵1991直到永远猫咪days绝望的死期漂亮女人1990锡尔斯玛利亚功夫四侠省港旗兵4地下通道粤语站住！花小姐节振国编辑部的故事2024射雕英雄传第三集国语一百二十分喜欢你
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院14岁的母亲大脚女婿冷血十三鹰杰森·莫玛漫游记各取所需 第三季风火世代针惜情缘及时止损闪电奇侠刚达拉巧克力学院地球百子 第二季触碰的双手没有男人的八月末蛇女2025暗夜守护者终极尖兵1991直到永远猫咪days绝望的死期漂亮女人1990锡尔斯玛利亚功夫四侠省港旗兵4地下通道粤语站住！花小姐节振国编辑部的故事2024射雕英雄传第三集国语一百二十分喜欢你