荣耀六十年

荣耀六十年电影免费高清在线观看全集。
　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor最后一个声生不息·家年华舞台纯享版现场清理人第三季吉姆斯：音乐年鉴天书奇谭4K重置版龙云镇怪谈全款交收孺子雄心特别有种：特警使命婚事（番外篇）女友礼拜五时尚地狱德云社岳云鹏孙越相声专场长沙站怨灵宿舍之白纸女生瞄准魔域异变一切为了爱山鹰弗兰妮·克鲁恐怖集真相（2006）4400 第一季机动战士高达 雷霆宙域 BANDIT FLOWER托卡列夫菜鸟囧探悬浮聚会第二季巴寇亚克之仇狗蛋大兵杰森·莫玛漫游记影之宅第二季1993年中央电视台春节联欢晚会深空失忆分分见喜(原声版)恶童莫比乌斯：黑色太阳基和皮尔 第四季我曾来过绑定第二季隋唐英雄传滴水之恩单亲辣妈消失的子弹粤语版戏里戏外第三季SICK'S霸乃抄～内阁情报调査室特务事项专从系事件簿～勃艮第公爵单身骑士多明戈